friday feast: two poems from Joys of the Table: An Anthology of Culinary Verse (+ recipes)

“The joys of the table belong equally to all ages, conditions, countries and times; they mix with all other pleasures, and remain the last to console us for their loss.” (Jean Anthelme Brillat-Savarin)

Talk about a kid in a candy store. As soon as my copy of Joys of the Table arrived, I polished my silver soup spoon, donned my nattiest bib (velvet trim, don’t you know), licked my chops, then ever so intently sipped, munched, chewed, relished and savored each and every poem in this tasty tome.

What a marvelous feast! The 100 or so poems (some with recipes) by 75 poets from around the country are served up in six courses: Amuse Bouche, What We Eat, Food and Love, Geography of Food, Kitchen Memories, and Food and Mortality. It was nice to see quite a few familiar favorites (Diane Lockward, Sharon Auberle, Barbara Crooker, Andrea Potos, Jacqueline Jules, Susan Rich, Annelies Zijderveld), as well as discover many new-to-me poets whose delicious verses left me craving more of their work (Lisa Kosow, Eric Forsbergh, Katharyn Howd Machan, Dianne Silvestri, Anne Meek, and Christie Grimes to name a few).

“Interior with Phonograph” by Henri Matisse (1924)

In a publisher’s interview, Editor Sally Zakariya was asked why she decided to put together an anthology of food poems:

I wondered that myself more than once! But really, food in its many aspects—personal, sentimental, sensual, universal—is a natural subject for poetry. I realized I had written a number of poems about remembered meals, nurturing cooks, and food as a symbol of communion and contentment, and I found that other poets I know had, too. And because food is so basic to our relationships with family and friends and lovers, I thought many poets would like to have such an anthology on their own shelves—and perhaps to give copies to their favorite cooks.

There certainly was no shortage of submissions — Sally received hundreds of additional poems worthy of being included — but ultimately her criteria for selection was subjective. I do like her taste in poems, noting that there was a higher percentage of poems that resonated with me in this anthology than in others.  Continue reading

Poetry Friday Roundup is here!

Welcome to Poetry Friday at Alphabet Soup!

Please help yourself to a mug of coffee, tea or milk and a blueberry crumb bar — just the thing for hopping from blog to blog and reading some good poems. 🙂

To set you on your way, thought I’d share a poem from Mary Szybist’s Incarnadine (Graywolf Press, 2013), which won the 2013 National Book Award for Poetry. I like the intersection between the temporal and the spiritual, the dissolution of will and ego while singing praise for the divine glory of the world. And, too, in this day and age of blatant self aggrandizement, it is humbling to contemplate Mother Nature’s largesse as well as her indifference to our inconsequential and fleeting existences, our infinitesimal obsessions.

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“Blueberries’ Great Escape” via Dogwood Studio Alaska

 

HERE, THERE ARE BLUEBERRIES
by Mary Szybist

When I see the bright clouds, a sky empty of moon and stars,
I wonder what I am, that anyone should note me.

Here there are blueberries, what should I fear?
Here there is bread in thick slices, of whom should I be afraid?

Under the swelling clouds, we spread our blankets.
Here in this meadow, we open our baskets

to unpack blueberries, whole bowls of them,
berries not by the work of our hands, berries not by the work of our fingers.

what taste the bright world has, whole fields
without wires, the blackened moss, the clouds

swelling at the edges of the meadow. And for this,
I did nothing, not even wonder.

You must live for something, they say.
People don’t live just to keep on living.

But here is the quince tree, a sky bright and empty.
Here there are blueberries, there is no need to note me.

~ from Incarnadine (Graywolf Press, 2013).

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This poem appears near the end of the book, a sort of benediction. The entire collection is luminous and deeply thought provoking, with inventive explorations of the divine in everyday life. The National Book Award judges citation reads in part: “This is a religious book for nonbelievers, or a book of necessary doubts for the faithful.” Definitely worth a look — Szybist is a poet’s poet.

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Speaking of which, Heartfelt Congratulations to Juan Felipe Herrera, our new U.S. Poet Laureate, and Jacqueline Woodson, our new Young People’s Poet Laureate! Way cool! 🙂

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Now, please leave your links with Mr. Linky below. Don’t forget to include the title of the poem you’re sharing or book you’re reviewing in parentheses after your name. The links page will stay up indefinitely and can be accessed at any time for your reading convenience.

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Thanks for joining us today. If you’d like the Blueberry Crumb Bars recipe, click over to Smitten Kitchen. Cool thoroughly before slicing and enjoy with a side of vanilla ice cream or whipped cream. 🙂

 

Have a wonderful weekend!
(Here there are blueberries, here there are poems.)

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Copyright © 2015 Jama Rattigan of Jama’s Alphabet Soup. All rights reserved.

friday feast: judyth hill channels her inner brownie

via Food Socialist

Sometimes there’s more to a brownie than meets the eye.

A really good brownie could become your identity, your touchstone, your raison d’être.

A dark chocolate fountain of creativity, the right brownie is your heart of hearts and knows where you live.

Just ask Judyth Hill.

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BROWNIES
by Judyth Hill

I got famous for them, brownies,
adding nuts and all my attention,
9 years of my life, to the batter.
The recipe reads:
Stir with all your desire to be a poet.
Break 27 thoughts about God, children,
and postgraduate degrees.
Beat till thick with ambition.
Fold in longing and chocolate, hot as the tar roof
on 101st & West End.
Mix just till you remember all the words to Mac the Knife,
Add nuts and the words Jonathan wrote on the boxing gloves
I got for Christmas:
Words from Catallus, Odi et Amo:

I hate and I love.
You ask how that can be.
I know not, but I feel the agony.

He gave me sporting equipment a lot,
though I don’t do sports.
He always remembered to add the words.
I do words.
I do brownies.
I do variations on brownies, cantatas of brownies
sonatas of brownies, quintets of fudge.
And short compositions featuring chocolate
as if it were a bassoon.

Perhaps I am the Picasso of brownies.
My blue period, the year I cried over every batch.
The way the one eyed woman can eat a brownie
and still be in my painting — a trick I discovered
and it became a genre.

Perhaps I am the Seurat of brownies,
dots of primary flavor
deep, sweet, salt,
an illusion adding up to the spectrum of dessert.

I am the Einstein of brownies,
discovering how the more chocolate you eat,
the later it gets.
Discovering how Poem x the Speed of Light² = Brownies.
Discovering that mass, brownies, and time are infinite.
Discovering that the energy of the universe
will go into each pan,
and it’s still brownies.

Maybe I’m the Martin Buber of brownies.
Climbing 10 chocolate rungs to grace.
Or the Albert Schweitzer of brownies,
giving brownies to everyone,
whether they need them or not.

What if I’m the Donald Trump of brownies,
building a cocoa empire.
Blocks of fudge, whole towers of semisweet,
bittersweet and Swiss, bullions of brownies,
chips of profit and loss. Or Lenny Bruce.
Hilarious and obscenely chocolate.
Chocolate so good it’s dirty,
and we can’t talk about it here.

Perhaps I am the Chanel of brownies,
designing a brownie for every outfit,
accessorizing brownies with shoes and bags,
a suit, a rich dark color that goes with everything.

~ from Written with a Spoon: A Poet’s Cookbook, edited by Nancy Fay & Judith Rafaela (Sherman Asher Publishing, 2002). Posted by permission of the author.

Chocolate Chanel Purse Cake via Certified Foodies

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Judyth says, “At the time I wrote ‘Brownies’, I owned and ran the famous Chocolate Maven Bakery in Santa Fe, New Mexico. I am the original Maven! The bakery has gone on to be a huge success, and I sold her to pursue my career as a Poet/Author.”

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friday feast: ♥my darling, my tortilla♥

Today we sing the praises of the Mexican tortilla.

O tlaxcalli, ancient flatbread, little round cake, pride of the Aztecs! Delicioso!

“Woman Grinding Maize” by Diego Rivera (1924)

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ODE TO TORTILLAS
by Fernando Esteban Flores

O
what delicacies
hide between the folds
of my tortillas
soft
& warm
ready to be deposited
in a place where hunger knows no boundaries

O
how this flat, round
speckled world
invites me to discover
its buttery terrain
of uncharted appetites

O
edible plate
uncurled to my intestinal delights
will you be
my gordita tonight
decked out in your
green & red petticoats

O(r)
might you tease me
with a red strapless
enchilada wrap?

in a country of brown hands
in fellowship with tlaili, ehecatl, y atl
(earth, wind & water)

O
Tlaxcalli
i repeat the cosmic cycle
i break you
& i receive the wafer of survival
on my tongue:

Bless the golden maíz that brought you forth
Bless the bronze hands that kneaded you
Bless the stone pallets that rolled out
the perfect faces of my people

~ from Ragged Borders: Poems (Hijo del Sol Pub, 1996).

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How I love this poem — the sense of reverence, the nod to roots, beginnings, of coming full circle in such beautifully spare verse. There is a wonderful feeling of wholeness, as if the poet wrapped the heart of his culture in that “flat, round speckled world.”

Speaking of the “perfect faces of my people,” enjoy this mini gallery of tortilla art by California native Joe Bravo, who began painting on tortillas because he couldn’t afford canvases back in his college days.

I use the Tortilla as a Canvas because it is an integral part of the Hispanic Culture and my heritage. For the subject matter of my tortilla paintings, I use imagery that is representative of Latinos, conveying their hopes, art, beliefs and history. As the tortilla has given us life, I give it new life by using it as an art medium.

JOE BRAVO TORTILLA ART

 

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weekend feast: one bob dylan, one birthday, one meat ball (+ recipe)

“I think of myself as a poet first and a musician second. I live like a poet and I’ll die like a poet.” (Bob Dylan)

Just as he’s done for more than five decades, Bob Dylan is still releasing new albums (the latest is “Shadows in the Night,” a mellow collection of standards recorded live with his five-piece band), performing around the world with his Never Ending Tour, and receiving more honors and accolades (2015 MusiCares Person of the Year).

To promote “Shadows in the Night” he gave only one interview — to AARP Magazine, where he discussed his creative process and influences, revealing that he’s a big Shakespeare fan, and had he not become “Bob Dylan,” he would have liked to have been “a schoolteacher of Roman history or theology.”

When receiving his MusiCares award, he delivered a riveting acceptance speech crediting his sources of inspiration, thanking his various and sundry supporters, and even confronting his detractors. To those who would criticize his singing voice, he reminded them of what Sam Cooke said when told he had a beautiful voice:

Well that’s very kind of you, but voices ought not to be measured by how pretty they are. Instead they matter only if they convince you that they are telling the truth.

The voice of our generation — plain, real, everyman — endures. We need to hear and will always value the hard truths good poets tell.

Enjoy this bountiful three-course feast honoring Bob, who’ll turn 74 on Sunday, May 24. 🙂

 

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