friday feast: Lesléa Newman’s “Ode to Chocolate” (+ recipe and giveaway winner!)

“Nobody knows the truffles I’ve seen.” ~ George Lang

 

Ready to take a walk on the dark side?

Slip into these luscious chocolate beauties, then gently sashay through the lines of this impassioned verse by acclaimed author, poet and editor Lesléa Newman.

Can you tell she  LOVES ♥  chocolate?

Yeah, she’s totally one of us. 🙂

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ODE TO CHOCOLATE

I need a sweet, I need a treat,
I need to eat some chocolate.

Dark as wood and so damn good,
If I could, I’d live on chocolate.

Shaped like a kiss, delivers bliss,
The deep abyss of chocolate.

Just one bite, I’m up all night,
Such is the might of chocolate.

You’ll never wed me or even bed me
Until you’ve fed me chocolate.

I’m sick and sure the only cure
Is more and more pure chocolate.

The smallest bite brings huge delight,
High as a kite from chocolate.

I drink it hot, right from the pot,
Nothing hits the spot like chocolate.

A day without, I’m sure to pout
And shout out, “Give me chocolate!”

I must confess, I’m one hot mess
Unless I possess chocolate.

Without that cocoa, I go loco,
This ain’t no joke—oh chocolate!

Before I dribble, I’ll end this scribble,
I need to nibble chocolate!

~ Copyright © 2016 Lesléa Newman. All rights reserved.

Dark Chocolate Lucky Cats via Not on the High Street

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Lesléa: I was on a self-imposed week-long writing retreat, between projects, not knowing what on earth to write about. When in doubt, I always turn to poetry and when in double doubt, I frequently turn to form.

“Ode to Chocolate” is a variation on the ghazal, one of my favorite forms. The ghazal originated in Persia, and literally means “the talk of boys and girls” or sweet talk. I took the notion of “sweet talk” literally and decided to write a love poem to one of my great loves — chocolate! The form of the ghazal  uses internal rhyme and a refrain at the end of the second line of each couplet. It does not tell a story like a narrative poem, but is unified by theme.

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[book review + giveaway] Somos como las nubes/We Are Like the Clouds by Jorge Argueta and Alfonso Ruano

“Like the clouds, like dreams, our children come and go. Nothing and no one can stop them.” ~ Jorge Argueta

Immigration is certainly one of the most contentious issues and complex humanitarian challenges facing our country today.

When you hear the word “immigrant,” what kind of mental image pops into your head? Do you picture a destitute Syrian refugee, an adult male attempting to smuggle drugs across the border, or maybe a stereotypical Spanish speaking person in a service-oriented job?

Often when I drive to the library I see a group of young Hispanic males waiting by the side of the road hoping to be picked up for a day’s labor paid for in cash. I wonder about where they came from, how they’re coping, whether their families are intact.

Though I often hear a lot about “undocumented immigrants,” the plight of “unaccompanied immigrant children” wasn’t something I seriously considered until I read Jorge Argueta’s new bilingual poetry book, Somos como las nubes/We Are Like the Clouds (Groundwood Books, 2016).

 

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friday feast: “The Self-Playing Instrument of Water” by Alice Oswald (+ giveaway winner)

“If I break my leg I’ll go to a doctor, if I break my heart, or if the world breaks my spirit, I will go to a poet.” (Jeanette Winterson, 2007)

Life-giving, purifying, restorative. Here’s a moment of lyrical beauty to savor, note by note.

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THE SELF-PLAYING INSTRUMENT OF WATER
by Alice Oswald

It is the story of the falling rain
To turn into a leaf and fall again

It is the secret of a summer shower
To steal the light and hide it in a flower

And every flower a tiny tributary
That from the ground flows green and momentary

Is one of water’s wishes and this tale
hangs in a seed-head smaller than my thumbnail

If only I a passerby could pass
As clear as water through a plume of grass

To find the sunlight hidden at the tip
Turning to seed a kind of lifting raindrip

Then I might know like water how to balance
The weight of hope against the light of patience

Water which is so raw so earthy-strong
And lurks in cast-iron tanks and leaks along

Drawn under gravity towards my tongue
To cool and fill the pipe-work of this song

Which is the story of the falling rain
That rises to the light and falls again

~ Copyright © 2013 Alice Oswald.

 

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I only just discovered Alice Oswald’s poetry a few months ago. I loved this poem from the opening lines — an astute observation expressed in deceptively simple terms.

In a reading she gave at Boston University two years ago, Oswald likened the water cycle — how water returns and returns — to the roll of a pianola, an instrument she loved as a child.

As water takes the path of least resistance, so her stanzas, with their absence of punctuation, naturally flow one into another, without the impediment of cliché or predictability. Upon first reading, I was so taken with her pristine diction and following her train of thought that I wasn’t aware of the rhyming couplets! I love her skillful use of slant rhyme, too.

A former gardener who read Classics at New College, Oxford, Alice now lives on the Dartington Estate in Devon with her husband and three children. She is the recipient of the TS Eliot Prize, the Ted Hughes Award, and the Foreword Prize.

In an interview with Susannah Herbert at The Guardian, she said:

To be a poet is as serious, long-term and natural as the effort to be the best human you can be. To express something well is not a question of having a top-class education and understanding poetic forms: rather, it’s a question of paying attention.

Today’s poem, retitled “A Short Story of Falling,” appears in Oswald’s 7th poetry collection, Falling Awake (W.W. Norton, 2016).

At a time when the world feels toxic and unbearable, I was grateful for this poetic cleansing.

Here’s Alice reading her poem at BU:

http://www.dailymotion.com/video/x41ou61

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 🍭HORRIBLY HUNGRY GINGERBREAD BOY GIVEAWAY WINNER! 📘

You’ll forgive me if I’m a little out of breath. Been chasing that rascally Gingerbread Boy all week. Wanted him to pick our giveaway winner. It wasn’t easy catching up with him, let me tell you. I sprinted all over San Francisco (thankfully I was able to have lunch in Chinatown to fortify myself in the process). Though the city was beautiful and I enjoyed seeing all the wonderful landmarks mentioned in the story, to my dismay the Gingerbread Boy was nowhere to be found. Sigh.

Wise Mr Cornelius suggested I contact our dear friend M. Random Integer Generator directly. He is, after all, a robust gastronome who can sniff out gingerbread an ocean away. Some of you may remember that tracking down M. Generator can sometimes be tricky in itself. Double sigh. Thankfully M. Generator answered my telegram right away. Seems the Gingerbread Boy had already devoured the Eiffel Tower, Notre Dame, and half the Arc de Triomphe. Mon Dieu! Quelle Catastrophe!

Mais, as soon as M. Generator told the GBB we needed him to pick a winner, he flew to the Alphabet Soup kitchen in a wink. After a little snack (34 apple pies, 54 Twix bars, 4 gallons of lemonade), our favorite Gingerbread Boy reached into the cookie jar and picked a name.

The winner of a brand new copy of THE HORRIBLY HUNGRY GINGERBREAD BOY is —

*drum roll, please*

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*trumpet fanfare*

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uh-huh

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katmaz2012!

🎈HOORAY! CONGRATULATIONS!! 🎉

Thanks to everyone for entering the giveaway!

(Best to back away before the Gingerbread Boy eats you.)

Just kidding.

Hey, one of my ears is missing.

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poetry fridayThe clever and talented witty ditty darling Michelle Barnes is hosting the Roundup at Today’s Little Ditty. Be sure to sashay on over and check out the full menu of poetic goodness being shared in the blogosphere this week!

 


Copyright © 2016 Jama Rattigan of Jama’s Alphabet Soup. All rights reserved.

friday feast: “For the Chocolate Tasters” by Diane Lockward (+ a recipe!)

“Chemically speaking, chocolate really is the world’s perfect food.” ~ Michael Levine

chocolatetruffles
Small Batch House Truffles via Chocolate Chocolate DC.

Please don’t wake me. I’m in the midst of a chocolate truffle dream. I’m surrounded by beautiful bonbons and it’s my job to taste them. One by one, I wrap my lips around the scrumptious hand-shaped orbs, savoring each note of exquisite flavor as they slowly melt on my tongue.

Deep Milk Pleasure with its creamy milk chocolate buttery center takes me back to the after school treats of my childhood. With the rich white chocolate of Coconut Rum Paradise I’ve washed up on the shores of Hawai’i, while the Original Dark, with its chocolate liquor and handsome dusting of Scharffen Berger cocoa, speaks of men in tuxedos waltzing in dimly lit ballrooms. 🙂

With an Irish last name, I’m entitled to an Irish Cream Dream. I breathe in the heady aroma of Bailey’s Irish Cream before gently sinking my teeth into the rich Valrhona chocolate shell, my taste buds tickled by those sprinkles of coffee-infused El Ceibo. It’s like meeting Aidan Turner at the corner pub. Pure ecstasy!

Since I am serious about my chocolate, I save the best for last: Uber Dark and Decadent. Dangerous and devilish, this one is capable of bringing even veteran tasters to their knees. This is how it is with 70% cacao and sassy cinnamon– one small taste and you’re hooked. Come over to the deepest darkest dark of the dark side. 🙂

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3 poems from Judith Viorst’s What Are You Glad About? What Are You Mad About?

I’ll always remember the day I found Judith Viorst’s Alexander and the Terrible, Horrible, No Good, Very Bad Day in the public library.

“Read me,” demanded a well worn copy left behind on one of the round wooden tables in the children’s room. I picked it up, read it all the way through, then sat down in a tiny chair to read it again.

I became a Viorst fan that day as I eagerly made my way through the other Alexander books. I found myself coveting train pajamas and contemplating a move to Australia. Totally nailing the child voice, Viorst (who made me very glad I didn’t have gum stuck in my hair) had a way of telling it true and assuaging frustration and calamity with just the right dose of humor. Months later, when the family across the street lost their cat, I gave them a copy of The Tenth Good Thing About Barney. Judith to the rescue again.

Her latest poetry collection, What Are You Glad About? What Are You Mad About? (Atheneum, 2016) is subtitled, “Poems for When a Person Needs a Poem.” Feeling a little lonely in your own skin? Or silly enough to eat a lamp for lunch? Maybe you’re fiercely jealous of too sweet, too kind, nauseatingly polite Anna May — why not bite or bop her? 🙂 What do you do when your best friend doesn’t want to be your best friend any more, or your mom is just too bossy, or your head is spinning from all those reading and writing rules?

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