love and cashews at the five and dime

“In the dime stores and bus stations, people talk of situations, read books, repeat quotations, draw conclusions on the wall.” ~ Bob Dylan (Love Minus Zero/No Limit, 1965)

Back in the fifties, you could score an ice cream soda for a quarter at the main street five and dime. A king-size Coke would set you back 10 cents, a slice of apple pie, 15, and a ham sandwich, a whopping 30 cents.

This marvelous place carried just about everything you’d ever want or need — lipstick and lollipops, buttons and bar soap, diapers and daydreams. And the single best thing it offered was absolutely free: cherished stories to tell ever after about who you once were, what the world was like once upon a time.

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SMALL TOWN CASHEWS
by Alberto Ríos

Not Newberry’s. I loved Kress’s five and dime,
And the best thing in that store was the first counter on the left,

The popcorn machine, followed by glassed cabinets of nuts,
Mixed, separate, almonds, peanuts, candied, pistachios —

But the cashews were the ones. Warm, served in paper cones
Sodas used to come in, paper cones that fitted into holders

In the pharmacy soda fountain where I’d get a Coke
After school, waiting for my mother to get off work as a nurse,

Sitting there with my cornet in its blue case and glad
Not to be carrying it, a Coke, into which — what was her name?

Angie. The woman at the counter with the curly hair — she’d smile,
She’d get my Coke, and then she’d spill in some of the bright juice

From the maraschino cherry jar she normally used to make sundaes.
Cherry coke, she’d say, all those years ago, happy with herself

And for me: who wouldn’t love that? seemed plain enough
On her Angie face, and an invention good enough for me.

But the cashews in Kress’s: I once saw an older high school boy
Buy some for his high school girlfriend — she held them

And she smiled, looking at him, but I looked at the cashews
And never forgot, so that every time I went into Kress’s

I looked at the wooden cabinet that held the cashews
And wished the big pane of glass were not there,

That all those cashews were waiting just for me.
Go ahead, they said, every time I walked by:

What are you waiting for? Put your mouth right in.
Dive through. We’re all yours, every single one.

~ from A Small Story About the Sky (Copper Canyon Press), copyright © 2015 Alberto Ríos.

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[tasty poem + recipe] From My Mother’s Kitchen: An Alphabet Poem by Pat Brisson

#57 in an ongoing series of posts celebrating the alphabet

By now, most of you know I’m a big fan of abecedarian poems.

Of course I like the foodie ones best. But food that mom used to make? Even better!

Many of the foods in Pat Brisson’s poem kindled fond childhood memories — times when “homemade,” “family,” and “love” flavored each delectable mouthful and provided enough nourishment to last a lifetime.

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Cinnamon Tapioca Pudding via Thinking Outside the Sandbox (click for recipe)

FROM MY MOTHER’S KITCHEN: AN ALPHABET POEM
by Pat Brisson

Food my mother made for us
Food from A to Zed;
Food she baked and cooked and boiled
To keep her family fed.

Apple pie with a flaky crust made from Crisco,
Beef stew (with too much gristle),
Chocolate chip cookies from the Tollhouse recipe,
Dates stuffed with walnuts and coated with sugar,
Eggnog at Christmas time,
French toast with butter and cinnamon sugar,
Ginger ale (stirred until flat) for upset stomachs,
Hamburgers and hot dogs on the 4th of July,
Ice cream? Breyer’s coffee for her and Neapolitan for us,
Junket rennet custard, a slippery, slidey treat,
Ketchup on our meatloaf,
Ladyfingers with fresh strawberries and whipped cream,
Mincemeat pies at the holidays, (eaten only by the grown-ups),
Noodles, broad and buttery,
Oatmeal cookies flavored with lemon,
Potatoes, usually boiled,
Quick bread, mostly date and nut,
Ravioli from Chef Boyardee,
Spaghetti with meat sauce,
Tapioca pudding with cinnamon on top,
Upside down peach cake,
Vanilla pudding made from scratch, served over steamed apples and yellow cake,
Watermelon slices with too many seeds,
10X confectioners sugar dusted on top of lemon pound cake,
Yeast bread warm from the oven with butter melting into it,
Zwieback when we were very young.

Food my mother made for us
Food from A to Zed;
Food she baked and cooked and boiled
To keep her family fed.

~ posted by permission of the author, copyright © Pat Brisson; first appeared at Your Daily Poem, where you can find more of Pat’s poetry.

Strawberry Lady Shortcake via I’m Not a Cook

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remembering gail fishman gerwin

“The crown of life is neither happiness nor annihilation; it is understanding.” ~ Winifred Holtby

This week I’m thinking about and missing New Jersey poet friend Gail Gerwin, who died of cancer on October 3, 2016.

Some of you may remember Gail as a former Poetry Potluck guest from 2012, when she shared a poem from her poetic memoir Sugar and Sand (Full Court Press, 2009), along with her mother Cele’s Stuffed Cabbage recipe.

I credit Gail with piquing my interest in Jewish culture and cuisine, and we used to joke about my wanting to find a nice Jewish grandmother to adopt me. Kind, generous, and very loving, Gail was devoted to her family and was especially proud of her grandchildren, whom she referred to as “my raison d’être.”

 

Crowns is such a beautiful legacy for Gail’s grandkids.

 

Gail’s death came as a complete shock to me. I learned about it on Facebook while casually scrolling through my newsfeed one day. I had no idea she had been battling cancer, and it was devastating to hear that she was gone. Not too long before that she had emailed a photo of her grandson’s bar mitzvah, so I assumed all was well.

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munching on “Short-Order Cook” by Jim Daniels

“Man who invented the hamburger was smart; man who invented the cheeseburger was a genius.” ~ Matthew McConaughey

 

“Cheeseburger” by Tjalf Sparnaay (oil on linen, 2012)

 

SHORT-ORDER COOK
by Jim Daniels

An average joe comes in
and orders thirty cheeseburgers and thirty fries.

I wait for him to pay before I start cooking.
He pays.
He ain’t no average joe.

The grill is just big enough for ten rows of three.
I slap the burgers down
throw two buckets of fries in the deep frier
and they pop pop, spit spit  . . .
pssss . . .
The counter girls laugh.
I concentrate.
It is the crucial point —
they are ready for the cheese:
my fingers shake as I tear off slices
toss them on the burgers/fries done/dump/
refill buckets/burgers ready/flip into buns/
beat that melting cheese/wrap burgers in plastic/
into paper bags/fried done/dump/fill thirty bags/
bring them to the counter/wipe sweat on sleeve
and smile at the counter girls.
I puff my chest out and bellow:
Thirty cheeseburgers! Thirty fries!
I grab a handful of ice, toss it in my mouth
do a little dance and walk back to the grill.
Pressure, responsibility, success.
Thirty cheeseburgers, thirty fries.

~ from Places/Everyone (The University of Wisconsin Press, 1985)

“Bakje Patat” by Tjalf Spaarnay (oil on linen, 1999)

 

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Nothing beats the good feeling of a job well done. As Philip Stanhope, the 4th Earl of Chesterfield once said, “Whatever is worth doing at all is worth doing well.”

Flipping burgers, a minimum wage job — nothing out of the ordinary. Yet it’s not every day one is asked to fill a thirty cheeseburger/thirty fries order, and I like how this particular short-order cook pulled if off with such aplomb.

Not letting the counter girls distract him, keeping his nerves in check, orchestrating every move as he jockeys burgers, cheese, buns, fries, wrapping and bagging — quite a feat. He had a system and it worked. Yes, he should be proud, munch on that ice and do a little dance!

There is no job too small to warrant our full attention. We make our own rewards. Chances are, none of the counter girls could have done what the short-order cook did, or as well. Sure, he had probably cooked dozens of cheeseburgers before, just not thirty all at once. But when the need arose, everything he had done up until then prepared him to meet that challenge.

The masterful cheeseburger and fries paintings in this post were created by Dutch megarealistic artist Tjalf Spaarnay. Yes, they look like photos, and give us the chance to re-examine ordinary foods we take for granted. I love how he has elevated fast food, showing it off in beautiful, meticulous, mouthwatering detail (french fries just happen to be Spaarnay’s favorite).

In his poem, Jim Daniels gave the often overlooked or undervalued fast food worker a moment in the spotlight, a good reminder to relish small victories because they keep us going and growing.

Okay, now I really want a cheeseburger with fries . . . and a little dessert, of course. 🙂

“De moorkop,” by Tjalf Spaarnay (2009)

 

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 🎉 BOOK GIVEAWAY WINNERS! 🎈

We are pleased to announce the following giveaway winners:

For a copy of DREAMING OF YOU by Amy Ludwig VanDerwater and Aaron DeWitt, the winner is:

 🎨 DIANE MAYR!! 🌺

And for a signed copy of DUMPLING SOUP by Jama Kim Rattigan and Lillian Hsu-Flanders + a $50 Amazon gift card, the winner is:

  🥢 KELLY D! 🍲

WooHoo! Congratulations to Diane and Kelly!!!

Thanks to everyone for all the great comments. Especially appreciate all the nice Happy Anniversary wishes. 🙂

More giveaways coming soon, so stay tuned!

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Erin is hosting the Roundup at The Water’s Edge. Twinkle toe on over and check out the full menu of poetic goodness being served up in the blogosphere this week. Happy Reading!

 


Copyright © 2018 Jama Rattigan of Jama’s Alphabet Soup. All rights reserved.

Faith Shearin’s “A Few Things I Ate” (+ a recipe!)

Lucky me, poet friend and kindred spirit Andrea Potos had the Poetry East Spring 2017 Food Issue sent to me shortly after it came out last year. You can bet I’ve been savoring and feasting on it ever since (thanks again, Andrea!).

This special issue, published by DePaul University, contains 49 poems presented in seven courses (truly the perfect meal), along with seven delectable recipes and a bevy of beautiful fine art paintings.

In the Main Course section, I was especially taken with Faith Shearin’s poem, “A Few Things I Ate.” The conversational style drew me in immediately, and I love how Faith built a captivating narrative with an embellished list of telling details, how she subtly wove in deeper regrets as well as fond memories. It’s wonderful how carefully chosen specifics can be so universally relatable.

Are we not all a product of what we’ve eaten throughout our lives? The countless foods, with their why’s and whens and wherefores, reveal our unique, personal stories.

I thank Faith for permission to share her poem, for answering my questions about it, and for her yummy recipe. Enjoy!

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Tailleuses de soupe by François Barraud (1933)

 

A FEW THINGS I ATE
by Faith Shearin

There are a few things I’m sorry I ate: a piece of fried chicken
in an all-night diner that bled when I cut into it,
a soup in an elegant French restaurant where I encountered
a mysterious ring of plastic. Also: a bowl of spaghetti served
with so many long strands of hair I wondered who,
in the kitchen, had gone bald. I’m sorry I ate the fast food
cookies that tasted like paper the same way I am sorry
I let certain men kiss me or hold my hand. I’m especially sorry
I ate a certain hot dog on a train that had been twirling for days
on a lukewarm display. Forgive me for all that cafeteria food
in college: packaged, bland, frozen so long it could not
remember flavor. And, hungry in my dorm, I ate bags
of stale lies from vending machines, once even a pair
of expired Twinkies filled with a terrible chemical cream
I am still digesting. After my daughter was born I bought
so much organic baby food my husband found the jars
everywhere: little glass wishes. One winter I ate exotic fruits
from upscale stores so expensive I might have flown instead
to a distant tropical island. Then, careless, I ate
from containers only my microwave understood. I know
what food is supposed to be but often isn’t; I know
who I might have been if I ate whatever I should have eaten.
Remember the time we ate Ethiopian food and spent
a week dreaming so vividly our real life grew pale?
Or the day we ate so much spice in our Thai food
that our mouths were softer? I’m not sorry I ate
all those ice cream sandwiches from my grandmother’s
freezer and drank those Pepsis with her on the way
to Kmart to buy more pink, plastic toys. She liked
the way sugar made me lively, and anyway,
she was suggesting the possibility of pleasure.
She made a vegetable soup that simmered all day
on the stove: growing deeper, more convincing,
and a carrot cake with cream cheese icing that floated
on my tongue like love. Now I am middle-aged. I am fat
and eating salads or, before bed, talking myself
into rice cakes that taste like despair. My father
is diabetic and must have everything whole wheat
and lean and my sister can’t have any salt. I’m sorry
I ate all that cereal when we first got married,
by myself in the kitchen, the milk pale and worried.
Remember how I covered my fruit with cheese
and mayonnaise? I’m not sorry, whatever
you might say. Then there were the lunches
we ate on the beach, watching the seals
sun themselves: thick chicken sandwiches wrapped
in a foil so silver they must have been valuable.

~ posted by permission of the author, © Poetry East: No. 90 (Food), Spring 2017.

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