cheese, glorious cheese!

AMERICAN CHEESE 
by Jim Daniels


At department parties, I eat cheeses
my parents never heard of—gooey
pale cheeses speaking garbled tongues.
I have acquired a taste, yes, and that's
okay, I tell myself. I grew up in a house
shaded by the factory's clank and clamor.
A house built like a square of sixty-four
American Singles, the ones my mother made lunches
With—for the hungry man who disappeared
into that factory, and five hungry kids.
American Singles. Yellow mustard. Day-old
Wonder Bread. Not even Swiss, with its mysterious
holes. We were sparrows and starlings
still learning how the blue jay stole our eggs,
our nest eggs. Sixty-four Singles wrapped in wax—
dig your nails in to separate them.

When I come home, I crave—more than any home
cooking—those thin slices in the fridge. I fold
one in half, drop it in my mouth. My mother
can't understand. Doesn't remember me
being a cheese eater, plain like that.

~ from In Line for the Exterminator. © Wayne State University Press, 2007.

*

via Click Americana

Raise your hand if you grew up with Kraft American Singles — *looks around* — okay, I see that’s most of you. 🙂

photo by J. Kenji López-Alt/Serious Eats

Did your Mom tuck them in your lunchbox sandwiches along with baloney or ham? Did you ever snack on a slice to satisfy between-meal munchies? Remember how your mouth watered as you anticipated that first bite of a juicy grilled burger with melty cheese oozing down the sides? Or best of all, what about the fine art of slowly pulling apart a warm grilled cheese sandwich just to see how far those gooey strings would s-t-r-e-t-c-h?

photo by Ralph Smith/Food Network
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creativiTEA: cecelia levy’s exquisite paper art

“The Chosen One”

Today’s spot of creativiTEA is brought to you by Swedish paper artist Cecelia Levy, who creates stunning three dimensional pieces with old book pages and glue, using a papier maché technique. Of her work, she says:

The choice of material is no coincidence. As a graphic designer and bookbinder, I have a strong interest in paper, typography, small details. Text and symbols are sometimes used as decoration, deliberately or randomly. The tactile experience is determined by the quality of the paper. I cherish the traces of the previous owners; dedications, notes, stains, and also the signs of time passing – discolorations, scratches, rust stains and holes after binding.

In my work I explore concepts such as time, memory, transience, traces, resistance and adaptability. Recycling and environmental aspects are important factors, but not the main purpose of my creations.

Isn’t it wonderful how she’s illuminating the personal histories of these old books by assigning them a new form? I like to think of her delicate and seemingly fragile paper cups and saucers as vessels for dreams.

 

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