♥ in which jules and jama conduct their dream interview with maira kalman ♥

March 22, 2012June 25, 2024 ~ jama ~ 32 Comments

“I want to say, before anything, that dreams are very important.” ~ Maira Kalman (Max Makes a Million, 1990)

A couple of years ago, Jules Danielson (of the premier children’s illustration blog, Seven Impossible Things Before Breakfast), and I were discussing our mutual love for Maira Kalman.

We agreed that reading Maira’s Max books (Max Makes a Million, Ooh-la-la (Max in Love), Max in Hollywood, Baby, Swami on Rye) pretty much changed our lives. It made her want to study children’s literature; it made me want to write stories. Safe to say that when it comes to Maira’s work, whether it’s her children’s books, New Yorker covers, or her much beloved New York Times illustrated essays, most people fall madly in love.

It’s rarely just, “I like Maira Kalman.” It’s usually, “I LOVE Maira Kalman,” or, “I ADORE Maira Kalman.” Few contemporary author/illustrators can provoke such a strong reaction across such a broad range of readers — both genders, all ages, ethnicities, political persuasions. Maybe it’s because she speaks to the adult in the child and the child in the adult. Or because she’s perfected the art of seamlessly blending typography with images. Maybe it’s because of all those hats and cakes!

I think it’s because her work is a candid expression of her essential self, always fresh and exciting. She chronicles what she sees, hears, and feels as she moves about the world with her own brand of sophisticated innocence. With Maira, there’s a surprise around every corner. When you read one of her pieces, you get the sense she’s creating something right there on the spot just for you. Suddenly and spontaneously, ordinary things are beautiful, you see connections between seemingly random, disparate objects, thoughts, and ideas. Her view is expansive, her energy, infectious, her humor, off-the-wall and clear through to the other side. Of course there’s also the pure unadulterated joy and hope she brings to a complicated, uncertain, troubled world. And she does it with crazy cool style and panache (and pie)!

So, Jules and I said, “Wouldn’t it be the ultimate kick to interview Maira?” Jules, who was born with an extra helping of gumption, emailed Maira but didn’t hear back. Perfectly understandable. She must receive a million such requests and like it or not, cannot accommodate everyone.

Fast forward to 2012, when Maira’s new picture book, Looking At Lincoln, is released by Penguin. We both review it, talking again about our “dream interview.” Jules, who has friends in all the right publishing places, tries again and this time Maira says yes!

Holy Wow! After we stopped screaming, we came up with a few questions which Maira answered right away. Pinch me. I’m dreaming, right? Jules and I are cross-posting this interview at our blogs today, because if anything bears repeating, it’s Maira’s words and pictures. Stereo à la Kalman. So, gather ye Cheez Doodles, zing your rubber bands, bless Abraham Lincoln, and read on.

(Yes, of course there’s cake.)

You’ve described yourself as a five layer jelly cake, a festive moment when you’re not following the rules. What do you consider to be the five most significant milestones of your career thus far?

There were many wonderful moments. The first children’s book that I illustrated and wrote, HEY WILLY, SEE THE PYRAMIDS. It is about my family and short unconnected moments. Digressions. Which I love. And since I love short, unconnected moments, THE ELEMENTS OF STYLE and THE PRINCIPLES OF UNCERTAINTY are also very important works for me.

How challenging was it, if at all, to adapt your well-loved and well-received NYT blog post on Lincoln into the 32-page picture book form?

Lincoln presents no problems. Every story with Lincoln tells itself really well. He is Lincoln, after all.

What Pete Ate from A-Z and Smartypants (Pete in School) are hysterical. Did the real Pete regularly devour things he should not?

The dear dog Pete ate MANY things that he should not. Yes, he ate my camera. But I loved him and could not get mad.

You’ve cited Ludwig Bemelmans and Charlotte Salomon as sources of creative inspiration. What do you love most about their work, and how have they influenced you as an illustrator? Also, are there specific experiences that formed the essential basis, the fundamental building blocks, of your artistic vision? Books, movies, artists (in addition to Bemelmans and Salomon), events, images, anything else?

Bemelmans and Salomon share a sophistication and love of beauty and place. And they also have a childlike exuberance. AND they write and paint. That appeals to me.

Of course there are many influences on my work. From literary, Nabokov, to films — The Marx Brothers, to music — St. Matthew’s Passion. And then there is architecture and fashion and and and. I have a basic curiosity about things and people. And I tend to listen and look. That goes a long way. Then I have many things to write and draw. And I day dream and dream. That also helps.

We love your humorous, surprising, whimsical, elegant, free associative style. You personalize objects and imbue them with cosmic significance, approach historical subjects with childlike wonder and curiosity, captivating us with your love of humanity. How do you sustain and nurture your creative life without becoming jaded, cynical or overexposed? How do you overcome self doubt?

All of these questions are complicated. There is a lot of hope involved. And hoping for the best. And just plain doing your work. I can’t emphasize that enough. Just sitting there and doing it — persevering. being patient. and seeing the long view. I am lucky in that my mother and aunts — the women in my family — were funny and irreverent. They told wonderful stories and baked cakes and generally had an optimistic view of the world, while knowing that tragic things happened all the time. And they loved to read. Reading was highly prized. And it gets passed on. I am immensely lucky, and it would really be awful if I were jaded or cynical.

On that note, what do you, as an artist, find most challenging and satisfying in the creative processes that you employ?

The best part is the surprise. I take many walks and wander. And in that wandering so much is revealed. And I find so much clarity and inspiration. Like a journalist reporting on what I have seen. And then in the studio, to not think too much. To let the work happen and to find the unexpected. To allow mistakes to be part of it. To not get it right, but just to get it.

Food figures prominently in your work, everything from cherry pies, strawberry shortcakes, onion rings, pink ice pops, veal roasts to Cheez Doodles. Could you please explain the significance of Cheez Doodles in your family history?

I came to the U.S. when I was little, in the 1950’s. It was a very can-do time, in a can-do country. And the playfulness of products and the names really struck me. I delight in candy names and in the fun of those products. Not that I eat Cheez Doodles that often. But I know that they have a place in our world.

We love Max. Will there be any more Max books?

Maybe. Maybe.

Any projects you’re working on now that you can tell us about?

A book about Thomas Jefferson. A book about my favorite things that will be a catalog of a show I am curating for the Cooper-Hewitt Museum. Articles for various magazines. Teaching. Walking. Traveling. Many wonderful things.

What’s one thing that most people don’t know about you?

I would like to dance in a show. Or be an extra in an opera.

Thanks so much for visiting Alphabet Soup and 7-Imp today, Maira! When you dance in a show or appear in an opera, Jules and I will be in the front row. ☺

♥ Check out Maira’s interview at 7-Imp!

♥ I love this cool trailer for the picture book she did with Lemony Snicket, 13 Words:

♥ This video of Maira and Lemony Snicket at the 13 Words Ice Cream Social cracks. me. up.

♥ Maira’s official website.

♥ My review of Looking at Lincoln is here.

“Quick Question. Would you love a dog who ate your lucky quarter, the Q from your alphabet collection, your porcupine quill? Even if for the quadrillionth time you said, “Quit It. Don’t EAT that,” and he Did, would you still love that dog? Quite a lot.” ~ Maira Kalman (What Pete Ate from A-Z)

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This post is being linked to Beth Fish Read’s Weekend Cooking, where all are invited to share food-related posts (recipes, fiction, nonfiction, cookbook, movie reviews, photos, musings, etc.).

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Author Chat: Amy Novesky on Georgia in Hawaii

March 12, 2012September 4, 2017 ~ jama ~ 23 Comments

I’m thrilled and delighted to welcome award-winning author and independent children’s book editor Amy Novesky to Alphabet Soup today.

She’s here to tell us more about her latest picture book, Georgia in Hawaii: When Georgia O’Keeffe Painted What She Pleased (Harcourt Children’s Books, 2012), which will be officially released next Tuesday, March 20th.

Did you know that in 1939, Georgia spent nine weeks touring the Hawaiian Islands? She was commissioned by the Hawaiian Pineapple Company “to create two paintings to promote the delights of pineapple juice.” Though she loved the time she spent in Hawaii and painted flowers, waterfalls, and feathered fish hooks, initially she refused to paint any pineapples.

She found the sharp and silvery fruit quite strange and beautiful. She wanted to live nearby so she could study it up close.

But the pineapple company would not let her . . .

Instead, they presented her with a pineapple. Georgia was disgusted. She did not want to paint the fruit now that it had been picked, and she would not let anyone tell her what to paint.

Georgia was just being herself — committed to painting what she saw, as she saw it, in her own way, so that is precisely what she did.

Amy and illustrator Yuyi Morales have done a brilliant job of presenting this little-known chapter in Georgia’s life, a rare instance in which she allowed her art to be used for commercial purposes. Despite the pineapple problem, Georgia was fascinated and intoxicated by Hawaii’s unique and varied land and seascapes — lush flora, interesting lava formations, mountains, gorges, waterfalls, beaches, caves, streams, and of course, abundance of tropical blossoms. She thrived in this natural paradise, as she explored remote areas in Hana, Maui, and strolled along the black sand beaches on the Big Island with her trained eye fixed on unspoiled vistas of singular beauty.

Amy’s lyrical, sensual text and Yuyi’s evocative acrylic paintings rendered in textured jewel tones (forest/moss greens, fuschia, aquamarine/prussian blues, fiery oranges, earthy browns) beautifully echo the iconic artist’s creative spirit gladdened by a place of pure enchantment.

Continue reading →

zero calorie macarons and smarties, or, why i need to move to paris

December 8, 2011December 7, 2011 ~ jama ~ 12 Comments

It is well established that Paris has the best pastry.

*kisses fingertips*

Not too long ago, I rhapsodized about the mighty macaron, a wonder of airy-crisp almond flour, egg whites, sugar and buttercream. Très delicieux!

It is good reason, along with a fortifying pain au chocolat or sweet crêpe, to flee the States and embrace the Seine.

Until that happens, I can always get my French fix by visiting Bonjour Mon Coussin, where luscious food images adorn pillows, purses, scarfs, pencil cases, aprons, mugs and jewelry.

hot chocolate fever — Foulard Carré Hot Choc

These oh-so-fetching, eye-popping products are created by Claire Eglizeaud and Paul Moreau, a designer and graphic artist from Bordeaux, who are inspired by vintage postcards and advertisements as well as objects found in their own modern world.

Of course their designs encompass more than food — I LOVE this book bag:

and these earrings,

and this pillow,

but I always come back to things like this (cutest pencil case ever):

strawberry pencil case — Tr. école Fraises

I love the whole retro-pop/vintage/Parisian vibe. Anyone have a few Euros to spare?

♥ Feast your eyes on more goodness at their website.

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alphabets abroad

November 15, 2011September 26, 2017 ~ jama ~ 11 Comments

#36 in an ongoing series of posts celebrating the alphabet.

Today I’m happy to share two fine examples of alphabetica discovered by blogger friends on recent trips abroad.

Mary Lee at A Year of Reading visited Ghent, Belgium, this past summer and encountered this alphabet set on the side of a building. Isn’t it lovely? So glad she snapped a pic. She says she thought of me when she saw it. Sigh. I hope she also thought of me when she ate Belgian chocolate (LOVE that stuff) and french fries (in a paper cone)! ☺

Melodye Shore at Joyful Noise, whose essay is included in the highly acclaimed anthology, Dear Bully (HarperTeen, 2011), traveled to Europe earlier this Fall and was very fortunate to see “La Grande Nomade” while touring the French Riviera. The Man of Letters, an amazingly cool sculpture by Spanish artist and sculptor Jaume Plensa, overlooks Port Vauban in Antibes.

Here’s a bit more about this remarkable installation, which consists of a stainless steel alphabet latticework:

“On the terrace, facing the sea at the corner of the ring wall, is this monumental sculpture eight metres high of a squatting figure. It used the formal vocabularly developed by the artist over the last few years, based on letters. With this vocabulary, Plensa is suggesting that, beyond its simple mission of communicating a meaning, spoken or written language can also be seen as a kind of envelope covering the matter and energy that constitute us. “Like bricks,” he says, “letters have a potential for construction. They enable us to construct thought.”

Visitors are invited to step inside, and travel within it. More from the artist:

I always imagined that our skin is permanently tattooed with text – our life, our experiences – tattooed, but with invisible ink. And then suddenly, somebody is able to decipher these tattoos; that person becoming a lover, a friend. That is probably why I work with sculptures like this, this human form composed solely of letters, like cells. It’s almost biological.

*Swoon* Apparently, there are other Plensa Men of Letters around — one in Des Moines, Iowa, and a grouping of them in Wakefield, England. I think every city should have one!

*drifts off in alphabet reverie*

Thanks so much, Mary Lee and Melodye!

♥ Don’t forget — if you have any notable alphabetical encounters, whether a piece of art, a song, video, abc book, fashion accessory, etc., please let me know so I can add it to my collection!

♥ More alphabetica here.

Certified authentic alphabetica. Made by hand with love and inspiration from foreign lands.