[poem and recipe] orange you glad it’s friday?

“Orange is the happiest color.” ~ Frank Sinatra

Warm, cheerful and uplifting, the color orange combines the passion of red with the positivity of yellow. Ever vibrant, orange inspires creativity, boosts energy and stimulates the appetite.

California-based poet Lori Levy once said that poets paint in words. I love how she’s embraced her orange palette to create the vivid images in today’s delightful poem.

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“Monarch Butterfly” by Juan Bosco.
IN THE MOOD FOR ORANGE
by Lori Levy

I want to discover what's orange in the world:
to come upon a leopard lily;
flame lichen clinging to a rock.
A barn swallow's chest, a monarch's wing,
Or just a bird-of-paradise against the sky.

I could slice a mango or suck on a section
of tangerine. Make soup for lunch
with pumpkin, squash, carrots, yams.
Could settle down by a fire, copper and blue,
or by the orange glow of a glass lamp.

What I have in mind is a fat ripe sun
the scarlet of a California poppy --
and me in an ocher-orange dress,
lips painted mandarin, twirling
to the rattle of Mexican maracas

until I drop like the sun
and the world grows dark again.

~ from In the Mood for Orange (Gvanim, 2007)
“California Poppies” by Marcia Baldwin.

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“Tropical Flirtation” by Carol Collette.

Revel in it!

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Emma Jayne Designs: color, whimsy, fun

Cheerio! Just what we need: a pop of color to brighten the week and bring a smile to your face. 🙂

Emma Jayne Allsup’s art is definitely happy-making stuff, so sit back and enjoy her eye candy!

Illustrator and Surface Pattern Designer Emma Jayne Allsup

Based in Cheshire, England, Emma Jayne is a freelance illustrator and surface pattern designer who’s been passionate about art since childhood. She’s from a creative family: her father and grandfather loved DIY, and her mother loved fashion and interiors. She spent every Thursday and most weekends sewing and knitting with her grandmother. She knitted her first jumper at age 8.

Emma Jayne likes incorporating elements within her work of nature, animals, people, and everyday objects, both as stand-alone drawings and in patterns. Her style is fun, whimsical, colorful and painterly, and she usually works traditionally with gouache, watercolor and ink, developing and finishing her designs on the computer. She likes to create textures, as well as paint animals and other shapes as silhouettes. She enjoys experimenting with different media and new techniques.

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[review + giveaway] Betty and the Mysterious Visitor by Anne Twist and Emily Sutton

If there is one thing I learned from living in England, it’s that the British love their gardens. Residents take great pride in cultivating their own personal Edens whatever their domicile: terraced or detached house, cottage, bungalow, mansion. Even the smallest patch of ground flourishes under their loving care.

The infinitely charming new picture book, Betty and the Mysterious Visitor by Anne Twist and Emily Sutton (Candlewick, 2023), celebrates the specialness of a particular garden and the loving relationship between those tending it.

Every summer, Betty loves visiting Grandma at her cottage in the village of Wobbly Bottom. They spend hours in a large community garden adjoining Grandma’s back yard called Acorn Hollows, Betty’s favorite place in the whole world.

There, Grandma grows flowers as well as lots of berries — raspberries, blueberries, strawberries and gooseberries. Betty helps Grandma pick the fruit and cook it to make jam to sell at the farmers market.

But one morning, Betty discovers somebody has ruined the garden. “The grass was a mess, a higgle and puff. What had been smooth was now muddy and rough.”

Betty is quite sad and determined to find the culprit. That night, when she peers out her window, she sees a large creature “pushing its nose under the fence,” but she loses sight of it when the moon drifts behind a cloud.

She tells Grandma what she saw the next morning, noting “it had a striped head.” Grandma thinks it’s a badger, an animal bound to come back once it’s found access to food. Sure enough, over the next few nights, the badger destroys more and more of the garden.

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nine cool things on a tuesday

1. It’s Octo-boo-ber! Come join this friendly autumnal gathering courtesy of children’s book author-illustrator Naoko Stoop. You may know her as the creator of the Red Knit Cap Girl picture books — see her up there with her woodland friends?

Originally from Japan, Naoko now lives and works in Brooklyn. Her favorite mediums are pastel, pencil, watercolor, gouache and acrylic, though during the pandemic she started to draw more and more digitally. She paints on used paper grocery bags and leftover plywood from a speaker factory in her neighborhood. She has loved art since childhood and is entirely self taught.

Inspired by everyday life, her mottos are “Stay authentic. Stay at your finest.” I enjoy following her on FB; her pictures are true to her description of being “cozy and comfy art therapy,” and I like the gentle innocence and sweet animals. Her intention is to “bring out the five-year-old in people” through her artwork.

For more, visit Naoko’s Website, X (Twitter), Instagram and Facebook Page. To purchase prints, please email her directly via her website.

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poetry friday roundup is here

Please help yourself to tea, pumpkin whoopee pies and a shortbread scottie.

Some of you may remember when I shared, “What Not to Write on the Back Jacket of Your Debut Collection,” from Scottish poet Helena Nelson’s delightful book, Down with Poetry! (HappenStance, 2016). Well, here are two more ‘unsuitable,’ rabble-rousing, anti-poetry rib ticklers designed to keep any literary snobs in check. Yes, poetry is SERIOUS BUSINESS. But that also makes it the perfect subject for serious satire, and Nelson is so good at it.

See if these don’t give you a good lift. 😀

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“Gray Bra” by Nathalia Chipilova (2013).
MRS N ENTERS THE LITERARY WORLD

I know it's hard to believe me when I say
(watch my lips)
I once found it hard to get my poems published.
I used to get--Rejection Slips.

In those days the little magazines
--sole recipients of my writing--
clearly needed waking-up--
their editors were uninviting.

As time went by I grew more bold--
no doubt I was inspired by The Muse.
I won elevation by a device
which happily transformed their views.

The purchase of a Wonderbra
which I wore to a poetry slam in Fife
at the cost of £19.99
was the single thrust that changed my life.

I took two poems, short and sweet
and pinned one neatly to each cup
and then I raised my cleavage up,
dangling the poems in mid-air,
suspended like Parnassus where
my readers (those abreast) could stare.

And thus it was a genre started,
my coup de bra, my magnum opus
shared by my sisters (try and stop us.)
The world of Arts Review and Crit
refers to us--we're not part of it--
with quiet reverence as--Lit Tit.

~ Copyright © 2016 Helena Nelson. All rights reserved.

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